Sounding Good
Be Prepared - Your Equipment
- Buy your own vocal mike and cable. Listen to a lot of them and pick the one that complements your voice. Listen to Shure SM58's, and 4 or 5 more.
- Have your guitar set up by a professional. Talk to them about what you need and what you like. Have them check the action and the intonation.
Try different strings until you find a set that you like.
- Transducers and Electronics.
- Tuners, AB boxes, quiet cords.
- Effects - Reverb, Echo, Flanger, Chorus, EQ, etc.
- Have spares, especially for all your cables.
Before the Gig - Rider, Stage Plot, etc
- Send a rider and stage plot with the contract.
- How many channels do you need?
- Will you require venue to provide mikes and direct boxes or bring your own?
- Do you need A/C or phantom power?
- Do you have special staging/lighting requirements?
- Are stairs or other obstacles a problem?
- Follow up on the contract rider with the venue.
The Soundcheck
- Get to know the sound people. Learn their names.
- Describe how you'd like to sound to them,
then
- Evaluate sound system and basic EQ.
- Plug everything in. Check levels, headroom. Show your loudest volume.
- Leave spare cables, guitar strings, picks, and batteries out, just in case.
- EQ and distortion check of the front end.
- Monitor Check. (Only as much as you need...)
- Ensemble check if necessary.
- Walk out front and listen to the sound yourself.
- Leave time to tune and warm up your voice.
The Gig
- Annoted set list with solo and effect cues for the sound tech.
- Do you have water, picks, harmonicas, spare strings, etc?
- Make sure the Emcee knows who you are? Talk the intro with them.
- A set list or cheat sheet if you need one.
- Know what time it is (all the time.)
- Why do we take breaks? (Leave time for product sales...)
Problems
- Miscommunication.
- Who forgot to bring what?
- Leave yourself time to work on Plan "B"
- What can you simpify in the chain.
- As a last resort, just mike it or plug and play.
What's the Buzz
- Are you using shielded cables?
- Are your balanced lines balanced?
- Is it a ground loop? Try lifting them.
- Did you check your batteries lately?
- Headroom check? Strive for unity gain.
For help with your questions and more in depth discussion you can check out this web based
bulletin board for live sound.
Someone else recommended to me the following online
resources as excellent fundamental references for audio practitioners.
<http://www.rane.com/digi-dic.htm> is a "comprehensive reference on all
things audio."
<http://www.rane.com/library.htm#rnotes> provides "comprehensive
information on everything from 'how loud is it?' to solving grounding
problems." While many are about specific Rane products, there are
several excellent notes on basic subjects such as Grounding and Sound
System Interconnection (note no. 110). All are in PDF format, while some
of the basics are also in HTML for online reading.
Visit other handouts used at the 1997 NE Regional Folk Alliance Conference